NAN GOLDIN

In her latest book, Diving for Pearls, Nan Goldin presents us with almost exclusively new, unpublished work. We are invited to conte mplate the sense of magic and surprising abstractness exuding from unintentional photographic mistakes made with an analogue camera, such as double and triple exposures, or clip marks on the negatives. Following a loose narrative, we witness Goldins visceral intu itive style, driven by emotions reaching deep down in all of us.